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Over several years of traveling through Kurdistan and finding the few remaining weavers, I learned their traditional weaving techniques. Inspired by the native patterns and the landscapes of that region, my designs entered a new phase.
I wove myself into the motifs and the nature of that geography.
They would ask: "do these old weavings really matter to anyone for you to be seeking for them?" I wanted to remind them that their threads still carry stories worth telling.
